The Israeli artist Keren Cytter has an uncompromising eye for detail. With great psychological sensitivity, she analyses individual states, human relations and social norms and milieus. Her films and performances, which represent the major part of her artistic work, act like a kaleidoscope for her investigations. Thus, one can often identify references to literature, theatre and art history in the young Israeli’s work, which she reinterprets or uses as an opportunity to reflect on the terms of the respective genre.
